I am officially obsessed with this media form -- that is, typographic animation set to spoken word. And I love that it's so self-referential, that the language-benders are bending language to demonstrate how great language can be when bent.
A lot of my writing time lately has been spent on offline projects. I'll poke my head out on this and the other active blog I've working on right now, but fall always seems to snag me with a huge amount of work. But it's my last quarter as a full-time grad student, so I'm dedicating myself to a new form of caffeine (hello, coffee) and buckling down. But this video and others like it will be my study breaks, to remind me of why I'm doing it all.
A note on the video itself: I love that Stephen Fry distinguishes between lovers of language and the people who are annoying about it and ruin it for everyone. I often find myself frustrated with often-misused words (like the difference between "over" and "more than"), but I am reminded that language evolves, it belongs to no one, and it's no use to squabble over the small distinctions, especially in contexts where other aspects (like substance) are more worthy of focus. The crux of it is here: "Nor does the idea that following grammatical rules in language demonstrates clarity of thought and intelligence of mind." Grammar is a tool we use to communicate effectively, but it is not a mastery of grammar that signals achievement: You still need something substantive to say.
At the same time, grammar is important because, as Stephen Fry says, ignoring it gives the impression that you don't care. "You slip into a suit for an interview, and you dress your language up too." And so while mastering grammar is not the end-all means to achieve good writing, it's still necessary to understand it. It's the framework we've created as a culture, the test to pass to prove you understand not only what to say, but how to say it. "You can wear what you want linguistically and sartorially when you're at home or with friends, but most people accept the need to smarten up under some circumstances. It's only considerate. But that's an issue of fitness, of suitability. It has nothing to do with correctness. There's no right language or wrong language any more than there are right or wrong clothes. Context, convention and circumstance are all."
Hear hear!
